Bibliography
Alvarez, Pedro. 2000. How Havana Stole from New York the Idea of Cuban Art. Smart Art Press.
1985. The American Experience: Contemporary Immigrant Artists. Exhibition Catalogue. Philadelphia and New York: The Balch Institute of Ethnic Studies.
Baker, Nicholas. 2002. A Book of Books: Photographs by Abelardo Morell. New York:
Bulfinch PressBal, Mieke. 1999. Quoting Caravaggio: contemporary art, preposterous history. Chicago, Ill.: University of Chicago Press.
Berthot, Lillian. 1997. La Generación del Mariel. Miami: Cuban-American National Foundation.
Blanc, Blanc. 1993. Cuban Artists of the Twentieth Century. Fort Lauderdale: Fort Lauderdale Museum of Art.
____. 1984. The Miami Generation Exhibition Catalogue. Miami: Cuban Museum of Arts and Culture.
____. 1990. The Post-Miami Generation. Exhibition Catalogue. Miami: Cuban Museum of Arts and Culture.
____, et. al. 1991. Cuba/U.S.A.: The First Generation. Exhibition Catalogue. Washington, D.C.: El Fondo del Sol.
Block, Holly. 2001. Art Cuba: The New Generation. New York, N.Y.: Abrams.
Blocker, Jane. 1999. Where is Ana Mendieta? Identity, Performativity, and Exile. Durham, NC:Duke University Press
Bosch, Lynette M.F. 1993. Islands in the Stream: Seven Cuban-American Artists. Cortland,NY: SUNY Cortland
____. 2004. Cuban-American Art in Miami: Exile, Identity and the Neo-Baroque. London, U.K.: Lund Humphreys Press.
____. 1997. Past Cuba-Identity and Identification in Cuban-American Art. Exhibition Catalogue. Fairfield, CT.: Fairfield University and St. Lawrence University.
Boswell, Thomas D. and James R. Curtis. 1984. The Cuban-American Experience: Culture, Images and Perspectives. Totowa, NJ: Rowman & Allanheld.
Brown, David H. 2003. Santería Enthroned: Art, Ritual and Innovation in Afro-Cuban Religion. Chicago, Il.: University of Chicago Press.
Camnitzer, Luis. 1994. New Art of Cuba. Austin: Texas: University of New Mexico Press.
Cockcroft, James D. and Jane Canning. 2000. Latino Visions: Contemporary Chicano, Puerto Rican and Cuban-American Artists. Franklin Watts Press.
Crimp, Douglas. 1993. On the Museums Ruins. Cambridge, Massachusetts and London: MIT Press
____. 1984. Pictures, in Art After Modernism: Rethinking Representation. ed. Brian Wallis. New York and Boston: New Museum of Contemporary Art. pp. 175-87
1996. Cuba Sigo XX: modernidad y sincretismo. Exhibition Catalogue. Islas Canarias: Centro Atlántico de Arte Moderno.
Damian, Carol. 1997. Breaking Barriers: Selections from the Museum of Art's Permanent Contemporary Cuban Collection. Exhibition Catalogue. Fort Lauderdale, Fla.: Fort Lauderdale Museum of Art.
Foster, Hal. 1984. Re: Post, in Art After Modernism: Rethinking Representation. ed. Brian Wallis. New York and Boston: New Museum of Contemporary Art. pp. 189-201
Fuentes-Pérez, Ileana et. Al. 1987. Outside Cuba/Fuera de Cuba. Exhibition Catalogue. New Brunswick, N.J.: Rutgers University Press.
Gómez-Sicre, José. 1987. Art of Cuba in Exile. Miami, Fla.: Editorial Munder.
González Mandri, Flora. 2006. Guarding Cultural Memory: Afro-Cuban Women in Literature and the Arts. Charlottesville: University of Virginia Press.
Gracia, Jorge J. E., Lynette Bosch and Isabel Alvarez Borland, eds. Identity, Memory, and Diaspora: Voices of Cuban-American Artists, Writers, and Philosophers. Albany, NY: SUNY Press, 2007.
Herrera, Andrea O'Reilly. Forthcoming 2008.'Setting the Tent Against the House': Cuban Art in the Diaspora. Albany, NY: SUNY Press .
Jaffee McCabe, Cynthia, and Daniel J. Boorstin. 1976. The Golden Door: Artist-Immigrants of America, 1876-1976. Exhibition Catalogue. Washington, D.C.: Smithsomian Institution Press.
Jameson, Fredric. 1991. Postmodernism, or, The Cultural Logic of Late Capitalism. Durham, North Carolina: Duke University Press.
Joselitt, David. 2005. Notes on Surface: Toward a Genealogy of Flatness, in Theory in Contemporary Art Since 1985. ed. Zoya Kocur and Simon Leung. Malden, MA and Oxford: Blackwell Publishing. pp. 292-308.
____. 1999. Loin de Cuba. Exhibition Catalogue. Aix-en-Provence, France: Musèe des Tapisseries.
Kuebler, Joanne. 1987. Art of the Fantastic: Latin America, 1920-1987. Indianapolis: Indianapolis Museum of Art
Layers: Collecting Cuban-American Art. 2006. Coordinated by Lynette M. F. Bosch. Directions and Foreword by Jorge J. E. Gracia. Buffalo, NY: University at Buffalo Art Gallery.
Loomis, John A. 1999. Revolution of Forms: Cuba's Forgotten Art Schools. Princeton, N.J.: Princeton Architectural Press.
López, Antonio and David Hart. 2005. Memory and the Installation Art of M. M. Campos Pons. (UNC dissertation).
Martínez, Juan A. 1994. Cuban Art and National Identity: The Vanguardia Painters 1927-1950. Gainesville, Fla.: University Press of Florida.
____. 2000. Lo blanco-criollo as lo cubano in the Symbolization of a Cuban National Identity in Modernist Painting of the 1940s, in Cuba, The Elusive Nation: Interpretations of National Identity. ed. Damian J. Fernández and Madeline Cámara. Gainesville : University Press of Florida.
Mendoza, Tony. 1999. Cuba: Going Back. Austin: University of Texas Press.
Mosquera, Gerardo. 1999. Contemporary Art from Cuba. Delano Greenridge Press.
Owens, Craig. 1998. The Allegorical Impulse: Toward a Theory of Postmodernism, in The Art of Art History: A Critical Anthology. ed. Donald Preziosi. Oxford and New York: Oxford University Press. pp. 315-28
____. 1992. The Discourse of Others: Feminists and Postmodernism in Beyond Recognition: Representation, Power, and Culture. eds. Scott Bryson et. al. Berkely, Los Angeles, and London: University of California Press. pp. 166-90
Sante, Luc. 2004. Camera Obscura: Photographs by Abelardo Morell. New York: Bulfinch Press
Santis, Jorge, and Carol Damian. 1997. Breaking Barriers: Selections from the Museum of Art's Permanent Contemporary Cuban Collection. Fort Lauderdale, FL: Museum of Art Fort Lauderdale
Simic, Charles and Jennifer Gross. 1998. Abelardo Morell: Face to Face. Boston: Isabella Stewart Gardner Museum
Veigas, José et. al. 2003. Memoria: Cuban Art of the 20th Century. Los Angeles, Ca.: California International Arts Foundation.
Viera, Ricardo. 2001. Latin American Artist Photographers from the Lehigh University Art Galleries Collection Bethlehem, PA: Lehigh University Art Galleries/Museum Operation.
Viso, Olga. 1997. Carlos Alfonzo: Triumph of the Spirit. Miami: Miami Art Museum Seattle: Distributed by University of Washington Press, 1997.
Wallis, Brian. 1984. Art After Modernism: Rethinking Representation. New York and Boston: New Museum of Contemporary Art.
Williams, Robert, et al. 2004. Pop Surrealism: The Rise of Underground Art. San Francisco, Calif.: Ignition Pub. / Last Gasp.
Woodward, Richard B. 2005. Abelardo Morell. London: Phaidon Press
Zuver, Marc. 1991. Cuba-USA: The First Generation. Washington, DC: El Fondo del Sol
Smithsonian Institution, Archives of American Art Finding Aids:
Cundo Bermúdez Papers: http://www.aaa.si.edu/findaids/bermcund/bermcund.htm
Giulio V. Blanc Papers: http://www.aaa.si.edu/findaids/blangiul/blangiul.htm
Margarita Cano Papers: http://www.aaa.si.edu/findaids/canomarg/canomarg.htm
Ramón Carulla Papers: http://www.aaa.si.edu/findaids/caruramo/caruramo.htm
Humberto Dionisio Papers: http://www.aaa.si.edu/findaids/dionhumb/dionhumb.htm
Hernan García Papers: http://www.aaa.si.edu/findaids/garchern/garchern.htm
Abril Lamarque Papers: http://www.aaa.si.edu/findaids/lamaabri/lamaabri.htm
Enrique Riverón Papers: http://www.aaa.si.edu/findaids/riveenri/riveenri.htm
Baruj Salinas Papers: http://www.aaa.si.edu/findaids/salibaru/salibaru.htm
Emilio Sanchez Papers: http://www.aaa.si.edu/findaids/sancemil/sancemil.htm
Scull Family Papers: http://www.aaa.si.edu/findaids/sculfami/sculfami.htm
Smithsonian Institution, Archives of American Art Oral Histories Interviews
José Bedia, February 13, 1998, conducted by Juan Martínez
María Brito, October 25, 1997, conducted by Juan Martínez
Ramon Cernuda, March 28, 1998, conducted by Juan Martínez
Enrique Guy Garcia, March 18, 1998, conducted by Juan Martínez
José Mijares, January 17, 1998, conducted by Juan Martínez
Ruben Torres Llorca, January 13, 1998, conducted by Juan Martínez
Rafael Soriano, December 6, 1997, conducted by Juan Martínez
Arturo Rodriguez, November 14, 1997, conducted by Juan Martínez
Demi (Rodriguez), November 29, 1997, conducted by Juan Martínez